WEKO3
インデックスリンク
アイテム
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But the problem of how \u0027間 ma\u0027 corresponds with the audience\u0027s experience has not been investigated enough. ln this paper, I critically analyze some representative essays on \u0027間 ma\u0027 to reach a more accurate understanding of \u0027間 ma\u0027 and go on to consider the problem of \u0027間 ma\u0027 as experience\u0027. Ma as cxperience has two characteristics. First, \u0027間 ma\u0027 becomes a kind of symbol of the Narcissus experience in Japan, evoking semi-institutionalized \u0027間 ma\u0027 modes (\u0027神招きの間\u0027 ma to invite 魂 ta-ma, \u0027主客の間\u0027 ma between a guest and a host, and \u0027虚実の間\u0027 ma between a fiction and a reality, each of which designates the proper trinity of posture, movement and breath.). On the other hand, \u0027間 ma\u0027 as a creation is an action with which we encourage ourselves to face the void made by abridgement, discontinuance, deviation and so forth, and through which we can experience the dynamic, aesthetic essence of silence. 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間の研究 : 新視点導入の試み
https://bunkyo.repo.nii.ac.jp/records/3761
https://bunkyo.repo.nii.ac.jp/records/37618b4e6f24-f962-4a59-bb50-9bb4c422ed56
名前 / ファイル | ライセンス | アクション |
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BKSK040002.pdf (1.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2011-02-24 | |||||
タイトル | ||||||
タイトル | 間の研究 : 新視点導入の試み | |||||
タイトル | ||||||
タイトル | Introduction to New Understanding of ' 間 MA' | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
高師, 昭南
× 高師, 昭南 |
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著者 | ||||||
Takashi, Akinami | ||||||
所属機関 | ||||||
文教大学国際学部 | ||||||
所属機関 | ||||||
The Faculty of International Studies, Bunkyo University | ||||||
内容記述 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | We Japanese often use the word '間 ma', regarding it as one of the most intimate, important conception for describing the essence of Japanese culture. Hitherto, the study of '間 ma' has been focussed on clarifying what the phenomena '間 ma' describes and what the function-structure of '間 ma' is. But the problem of how '間 ma' corresponds with the audience's experience has not been investigated enough. ln this paper, I critically analyze some representative essays on '間 ma' to reach a more accurate understanding of '間 ma' and go on to consider the problem of '間 ma' as experience'. Ma as cxperience has two characteristics. First, '間 ma' becomes a kind of symbol of the Narcissus experience in Japan, evoking semi-institutionalized '間 ma' modes ('神招きの間' ma to invite 魂 ta-ma, '主客の間' ma between a guest and a host, and '虚実の間' ma between a fiction and a reality, each of which designates the proper trinity of posture, movement and breath.). On the other hand, '間 ma' as a creation is an action with which we encourage ourselves to face the void made by abridgement, discontinuance, deviation and so forth, and through which we can experience the dynamic, aesthetic essence of silence. Needless to say, these two characteristics can not be separated in performance. |
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書誌情報 |
文教大学国際学部紀要 en : Journal of the Faculty of International Studies Bunkyo University 巻 4, p. 1-13, 発行日 1994-01-01 |
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ISSN | ||||||
収録物識別子 | 09173072 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
本文言語 | ||||||
日本語 | ||||||
ID | ||||||
BKSK040002 | ||||||
作成日 | ||||||
日付 | 2011-02-23 |