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麗人は巴里か上海か:『A Woman of Paris』と『上海一婦人』
https://doi.org/10.15034/00007727
https://doi.org/10.15034/00007727b9f53000-b29b-4a75-b221-221f3ec4f4cb
名前 / ファイル | ライセンス | アクション |
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BKK0004060.pdf (1.7 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2021-05-19 | |||||
タイトル | ||||||
タイトル | 麗人は巴里か上海か:『A Woman of Paris』と『上海一婦人』 | |||||
タイトル | ||||||
タイトル | Where is the Beauty - in Paris or Shanghai?: A Woman of Paris and A Woman of Shanghai(上海一婦人) | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
DOI | 10.15034/00007727 | |||||
DOIタイプ | JaLC | |||||
著者 |
白井, 啓介
× 白井, 啓介 |
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著者 | ||||||
Shirai, Keisuke | ||||||
所属機関 | ||||||
文教大学文学部 | ||||||
所属機関 | ||||||
Bunkyo University, Faculty of Language and Literature | ||||||
内容記述 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | 本文探讨卓别林1923年所摄制的《巴黎一妇人 A Woman of Paris(以下简称《巴》剧)》与上海明星影片公司1925年所出品的《上海一妇人(以下简称《海》剧)》之间有无模仿及借鉴关系之问题。《海》剧刚开映就有“情节略与却别林导演之《巴》剧相同”之评论。但,“相同”具体表现在哪些方面?是只有情节结构上“相同”,还是其他方面也有模仿或借鉴这些之处,这些具体问题尚无足够的究明。 本文对《巴》剧本片与《海》剧剧本(本事及字幕)情节中每一细节逐一进行全面分析,同时综合读解当时对两片所给予的评论等相关材料,得出《海》剧只不过是在情节结构方面大致参考了《巴》剧而已,未必可断言为模仿,与其说模仿不如说是改编。尤其在情节中的每一细节上两剧大有不同,《巴》剧具有深厚西方人之伦理观念,即以向上帝忏悔罪过之思维为准,相反,《海》剧则渗透着中国传统伦理情调,以女当贤良可贵之思念为主,妇女本是善良而纤弱,其堕落必有不得而已的社会性原因之类的观念甚深,因而形成中国国产影片中很少出现富有魅力的“恶女”形像的深层原因。 |
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書誌情報 |
言語文化研究科紀要 en : Bulletin of The Bunkyo University Graduate School of Language and Culture 巻 7, p. 1-26, 発行日 2021-03-16 |
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ISSN | ||||||
収録物識別子 | 21892709 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
本文言語 | ||||||
日本語 | ||||||
ID | ||||||
BKK0004060 | ||||||
作成日 | ||||||
日付 | 2021-05-18 |