{"created":"2023-05-15T14:19:42.230131+00:00","id":1075,"links":{},"metadata":{"_buckets":{"deposit":"02be8f1e-415d-44ec-858b-61d94fa8dec2"},"_deposit":{"created_by":3,"id":"1075","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1075"},"status":"published"},"_oai":{"id":"oai:bunkyo.repo.nii.ac.jp:00001075","sets":["1:23:141"]},"author_link":["1806"],"item_5_biblio_info_13":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1997-03-01"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"80","bibliographicPageStart":"70","bibliographicVolumeNumber":"10","bibliographic_titles":[{"bibliographic_title":"文学部紀要"},{"bibliographic_title":"Bulletin of the Faculty of Language and Literature"}]}]},"item_5_date_43":{"attribute_name":"作成日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2011-02-14"}]},"item_5_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"戰後五十年來，在台灣的各種漢族傳統戲劇隨著社會形態的轉變，都急速凋落，目前已難得再見過去的盛況。惟近年來，拜「台灣本土化」風潮之賜，台灣歌仔戲得以起死囘生，甚至一再登上國家劇院的殿堂接受票房的考驗。爲甚麼只有歌仔戲能得天獨厚的獲得台灣民衆的靑睬，我們認爲這與歌仔戲是唯一土生土長於台灣的劇種有密切關係。\n戰後，儘管台灣及中國的許多研究都已證實歌仔戲發源自台灣本土，但對歌仔戲的形成年代及創始者的問題，則頗多爭議。究其原因，多是因爲近年的研究忽略了日據時期當時的第一手文獻，僅採用戰後的採訪報告加以論述，以致各有出入。由於日據時期的台灣戲劇調査報告或是時事報導，都是興歌仔戲的誕生屬於同一時空，而且横跨了發生前，發生中，發生後三個階段，因此我們若將這些長久以來未受靑睬的資料串聯起來，當可從另一個角度得到更客觀的結論。\n本稿以倒敍的方式，先分析戰後的歌仔戲研究及其所反映出的問題；再追溯探討戰前的相關文獻，看看當時是如何記録歌仔戲的發生情形；最後再總結兩個時代的研究成果，以釐淸歌仔戲起源的一些爭議。","subitem_description_type":"Abstract"}]},"item_5_description_38":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09145729"}]},"item_5_text_39":{"attribute_name":"本文言語","attribute_value_mlt":[{"subitem_text_value":"中国語"}]},"item_5_text_42":{"attribute_name":"ID","attribute_value_mlt":[{"subitem_text_value":"BKK0000450"}]},"item_5_text_7":{"attribute_name":"Author","attribute_value_mlt":[{"subitem_text_value":"Ong, Sun Liong"}]},"item_5_text_8":{"attribute_name":"所属機関","attribute_value_mlt":[{"subitem_text_value":"文教大学文学部中国語中国文学科・非常勤"}]},"item_5_text_9":{"attribute_name":"Institution","attribute_value_mlt":[{"subitem_text_value":"Bunkyo University, Faculty of Language and Literature"}]},"item_5_version_type_35":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"王, 順隆"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-22"}],"displaytype":"detail","filename":"BKK0000450.pdf","filesize":[{"value":"606.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"BKK0000450.pdf","url":"https://bunkyo.repo.nii.ac.jp/record/1075/files/BKK0000450.pdf"},"version_id":"d1afb2a5-098c-44b7-a3fd-5e12e362d62e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"台灣"},{"subitem_subject":"演劇"},{"subitem_subject":"歌仔戲"},{"subitem_subject":"創始者"},{"subitem_subject":"形成年代"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"歌仔戲的形成年代及創始者的問題","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"歌仔戲的形成年代及創始者的問題"},{"subitem_title":"The Problem Concerning the Formative Period and the Originator in Kua-ah-hi (Taiwanese Opera)"}]},"item_type_id":"5","owner":"3","path":["141"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-02-07"},"publish_date":"2012-02-07","publish_status":"0","recid":"1075","relation_version_is_last":true,"title":["歌仔戲的形成年代及創始者的問題"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-16T18:14:32.762122+00:00"}