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墨竹図と五山文学―蘇東坡の詩を例に
https://doi.org/10.15034/0002000022
https://doi.org/10.15034/00020000229c1bc881-b5db-4e87-915a-e85b17024455
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
BKK0004422.pdf (502 KB)
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| Item type | 文教大学学術リポジトリ登録用アイテムタイプ(1) | |||||||||
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| 公開日 | 2023-12-01 | |||||||||
| タイトル | ||||||||||
| タイトル | 墨竹図と五山文学―蘇東坡の詩を例に | |||||||||
| タイトル | ||||||||||
| タイトル | Ink Bamboo and Gozan Literature ―Su Dongpo’s Poems as Examples | |||||||||
| 作成者 |
王, 連旺
× 王, 連旺
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| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | At the beginning of the 14th century, the information of Wen Tong’s Ink Bamboo paintings appeared in the poetry of the Gozan Zensō. The painter Gukei Yūe and others had Painted the Bamboo in ink in Japan. But several catalogs of Tibetan paintings did not yet prove that Wentong’s Ink Bamboo had spread to Japan during the medieval period. In the middle of the 15th century, Wen Tong’s bamboo in ink Paintings were introduced to Japan, which was found in Banri Shūku’s Tenkahaku （天下白）. Written into this painting is Su Shi’s poem entitled “Shu Wen Yuke Mo Zhu Bing Xu”. With the spread of Bamboo in ink paintings and techniques, the theme permeated Japan’s Gozan literature. Then under the promotion of Gidō Shūshin, the Bamboo in ink theme became more and more common in the Gozan literature. This paper stresses that the comprehensive research model of “bamboo in ink paintings + Dongpo poem copy + Gozan literature” has a methodological significance. |
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| 出版者 | ||||||||||
| 出版者 | 文教大学 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15034/0002000022 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 09147977 | |||||||||
| 書誌情報 |
ja : 言語と文化 en : Language and Culture 号 35, p. 29-42, ページ数 14, 発行日 2023-03-16 |
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