{"created":"2024-06-21T04:40:29.250690+00:00","id":2002164,"links":{},"metadata":{"_buckets":{"deposit":"47fb86f0-539e-44d3-b2c6-c98fd52f017d"},"_deposit":{"created_by":57,"id":"2002164","owner":"57","owners":[57],"pid":{"revision_id":0,"type":"depid","value":"2002164"},"status":"published"},"_oai":{"id":"oai:bunkyo.repo.nii.ac.jp:02002164","sets":["1:27:920"]},"author_link":["9638"],"control_number":"2002164","item_30002_bibliographic_information29":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-07-31","bibliographicIssueDateType":"Issued"},"bibliographicNumberOfPages":"23","bibliographicPageEnd":"73","bibliographicPageStart":"51","bibliographicVolumeNumber":"32-1","bibliographic_titles":[{"bibliographic_title":"国際学部紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"JOURNAL OF THE FACULTY OF INTERNATIONAL STUDIES BUNKYO UNIVERSITY","bibliographic_titleLang":"en"}]}]},"item_30002_creator2":{"attribute_name":"作成者","attribute_type":"creator","attribute_value_mlt":[{"creatorAffiliations":[{"affiliationNames":[{"affiliationName":"文教大学","affiliationNameLang":"ja"},{"affiliationName":"Bunkyo University","affiliationNameLang":"en"}]}],"creatorNames":[{"creatorName":"田淵, 俊彦","creatorNameLang":"ja"}],"familyNames":[{}],"givenNames":[{}],"nameIdentifiers":[{}]}]},"item_30002_description9":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"Recently, researchers and academics have been actively involved in solving the problems encountered by the society, organizations, and people to improve the situation. In particular, in Europe and the United States, attempts at “intervention” by using videos have been successful, and highly applied visual anthropology has is known as “Applied Visual Anthropology.” As if anticipating these trends, a person conducted steady fieldwork and recorded people’s lives on film before World War Ⅱ. Keizo Shibusawa, a pioneer of ethnographic film in Japan, was born as a grandson of Eiichi Shibusawa, known as the “father of Japanese capitalism.” He studied biology; he exhibited his collection of toys, folk tools, and other specimens in the attic of his house and called it the “Attic Museum.” This essay examined “another perspective” in research conducted by Keizo Shibusawa that has been commonly overlooked. First, I will discuss the early days and development of visual anthropology, which has recently been applied to solving social problems and discuss why anthropology has started the medium of video. Furthermore, I will examine the position of Shibusawa’s ethnography in history and the validity of his theory of material culture incorporated into his fieldwork. By examining the footprints of Shibusawa’s fieldwork and highlighting “another perspective” in his research, I will present a new evaluation of Shibusawa’s folklore. Drawing upon this “another perspective,” I will identify the purpose of Shibusawa’s fieldwork. Furthermore, I will examine the reasons for Shibusawa’s use of video as a medium. Finally, I aim to clarify the role of video in anthropology and the significance of visual anthropology in the society and to suggest future possibilities of visual anthropology and its the role.","subitem_description_language":"en","subitem_description_type":"Abstract"},{"subitem_description":"近年、社会や組織、人々が抱える問題に研究者や学問が積極的に関わることで事態の改善を図る取り組みが広がっている。特に欧米では映像を活用した「インターベンション intervention（干渉・介入）」による試みが成果を上げており、応用性の高い映像人類学は「応用映像人類学 Applied Visual Anthropology」と呼ばれている（１）。こういった趨向を予見したかのように、フィールドワークを通して人々の風俗や習慣を映像に記録し続けることで社会の問題点を照射しようとした人物がいた。それは第二次世界大戦以前のことである。日本における映像人類学の先駆者とも言える渋沢敬三は「日本資本主義の父」と呼ばれる渋沢栄一の孫として生まれ、学生時代には生物学を志した。そして収集した玩具や民具などの標本を自宅の屋根裏部屋に展示して「アチックミューゼアム AtticMuseum（屋根裏の博物館）」と名づけた。東京帝国大学を卒業した後は祖父・栄一に請われ実業界に入り、二足のわらじを履くような形で民俗学研究に携わった。この「渋沢民俗学」は数々の業績を残したが、先行研究においては渋沢の「民俗学からの視点」に対する評価に留まっている。本論\nは、渋沢民俗学を発展させることとなった渋沢の「もう１つの視点」を発掘する。そのために以下のようなアプローチを行う。\nまず映像人類学の特徴を理解するために、その草創期を紐解き人類学がなぜ映像という媒体を用いるようになったのかを探る。次に歴史上における渋沢民俗学の位置づけを行い、渋沢がフィールドワークに取り入れたマテリアルカルチャー論の妥当性を検証する。また渋沢のフィールドワークの足跡を洗い直し、これまで見過ごされてきた「もう１つの視点」の存在に光を当てる。そして渋沢が「もう１つの視点」から何に迫ろうとしたのかを看破する。同時に渋沢がその実現のために映像を媒体とした理由についても吟味してゆく。これらの作業には著者のドキュメンタリー制作の経験知が役立つ。著者は20年以上にわたり世界の途上国における人々の生活や営み、文化、習俗に関するフィールドワークを行い、その成果をテレビ・ドキュメンタリーという形で発表し続けてきた。テリトリーはヒマラヤ周辺のチベット文化圏をはじめとしてアジア、アフリカ、南米大陸最南端にまで亘っている。近年では、映像人類学からのアプローチによって途上国における婚姻形態の考察（２）やジェンダーに関する社会問題解決を模索する研究を行っている（３）。それらの専門知を応用することで、俯瞰的な視座と広い視野で渋沢民俗学を見つめ直し、再構成することができるだろう。そして最終的には渋沢敬三が映像人類学を通して伝えたかったことを明確化し、社会における映像人類学の意義と果たすべき役割を提示することを目的としたい。","subitem_description_language":"ja","subitem_description_type":"Abstract"}]},"item_30002_file35":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2024-07-12"}],"filename":"BKT0000006.pdf","filesize":[{"value":"4.2 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"url":"https://bunkyo.repo.nii.ac.jp/record/2002164/files/BKT0000006.pdf"},"version_id":"f7270c4b-6f13-4d7a-8030-85803f07806a"}]},"item_30002_identifier_registration17":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15034/0002002164","subitem_identifier_reg_type":"JaLC"}]},"item_30002_language12":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_30002_publisher10":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"文教大学","subitem_publisher_language":"ja"},{"subitem_publisher":"Bunkyo University","subitem_publisher_language":"en"}]},"item_30002_resource_type13":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_30002_source_identifier22":{"attribute_name":"収録物識別子","attribute_value_mlt":[{"subitem_source_identifier":"09173072","subitem_source_identifier_type":"PISSN"}]},"item_30002_title0":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"渋沢敬三の民俗学におけるマテリアルカルチャー論の再考 : 映像人類学の社会的意義と役割","subitem_title_language":"ja"},{"subitem_title":"Shibusawa Keizo’s Ethnography: Rethinking the Theory of Material Culture The Significance and Role of Visual Anthropology in Society","subitem_title_language":"en"}]},"item_30002_version_type15":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_title":"渋沢敬三の民俗学におけるマテリアルカルチャー論の再考 : 映像人類学の社会的意義と役割","item_type_id":"40001","owner":"57","path":["920"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2024-07-13"},"publish_date":"2024-07-13","publish_status":"0","recid":"2002164","relation_version_is_last":true,"title":["渋沢敬三の民俗学におけるマテリアルカルチャー論の再考 : 映像人類学の社会的意義と役割"],"weko_creator_id":"57","weko_shared_id":-1},"updated":"2024-07-12T03:01:49.223029+00:00"}