WEKO3
インデックスリンク
アイテム
日中映画における「青春」の表象 ―「不良」と「敗北」の物語を巡って
https://doi.org/10.15034/0002002410
https://doi.org/10.15034/0002002410f84d63be-f16d-4d7f-8469-5dbb3b2da002
| 名前 / ファイル | ライセンス | アクション |
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| Item type | 文教大学学術リポジトリ登録用アイテムタイプ(1) | |||||
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| 公開日 | 2025-05-30 | |||||
| タイトル | ||||||
| タイトル | 日中映画における「青春」の表象 ―「不良」と「敗北」の物語を巡って | |||||
| タイトル | ||||||
| タイトル | Representations of “Youth” in Japanese and Chinese Films: Stories of “Delinquency” and “Defeat” | |||||
| 作成者 |
蓋, 暁星
× 蓋, 暁星 |
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| 内容記述 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper compares Kids Return(1996) and Unknown Pleasures (2002), films by Takeshi Kitano and Jia Zhangke respectively, two leading directors in Japan and China, and examines them with an awareness of the context of youth film / teen movie. The two films have one thing in common in that they both feature two delinquents as protagonists. I focus on the directors’authorship based on the director’s upbringing, and taking into account the historical background of the films, discuss them from two angles: `absence of parents / loss of parental functionand `perspective on women. For example, in Kids Return there are no scenes involving parents or families. With the exclusion of parents, the audience sees of the lack of a `way of life. In Unknown Pleasures, all three main characters are from single-parent families, and since none of them function well as parents, I argue that they have fallen into a state of `speechlessness. with the collapse of the socialist mythology. |
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| 出版者 | ||||||
| 出版者 | 文教大学大学院言語文化研究科付属言語文化研究所 | |||||
| 出版者 | ||||||
| 出版者 | Bunkyo University Graduate School's Institute of Language and Culture | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| ID登録 | ||||||
| ID登録 | 10.15034/0002002410 | |||||
| ID登録タイプ | JaLC | |||||
| 収録物識別子 | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09147977 | |||||
| 書誌情報 |
ja : 言語と文化 en : Language and Culture 巻 37, p. 1-32, ページ数 32, 発行日 2025-03-16 |
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