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シュルレアリスムにおける岡上淑子のコラージュの位置―ルイ・アラゴンとアンドレ・ブルトンのコラージュ論を手がかりに―
https://doi.org/10.15034/0002002475
https://doi.org/10.15034/0002002475625c70a1-f881-469c-b5fc-f5a5d439d315
| 名前 / ファイル | ライセンス | アクション |
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BKT0000066.pdf (694 KB)
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| アイテムタイプ | 文教大学学術リポジトリ登録用アイテムタイプ(1) | |||||||||||||
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| 公開日 | 2025-08-19 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | シュルレアリスムにおける岡上淑子のコラージュの位置―ルイ・アラゴンとアンドレ・ブルトンのコラージュ論を手がかりに― | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | The Position of Yoshiko Okanoue’s Collage in Surrealism: With Reference to the Collage Theory of Louis Aragon and André Breton | |||||||||||||
| 作成者 |
利根川, 由奈
× 利根川, 由奈
WEKO
10052
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| 内容記述 | ||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||
| 内容記述 | The purpose of this essay is to examine the collage works of Yoshiko Okanoue, an artist active in postwar Japan, in the context of Surrealism, and to clarify the qualities of Okanoue's work. Despite the fact that Okagami's works are considered to be of the nature of surrealist collages, there have been almost no opportunities for Okanoue's works to be treated as the subject of research in Japanese surrealist studies or art history studies. This is due to Okanoue's short production period of seven years, from 1950 to 1957, and to the influence of Shuzo Takiguchi(1903-1979), a highly influential figure in the postwar Japanese avant-garde art movement, who said, "She is not an artist, an influential figure in Japan's postwar avant-garde art movement, who said, "She is not an artist. She is a young lady," as if she regarded her as an amateur rather than an artist; Okanoue's own statement that she was not an artist, which indicated his distance from the art world; and the fact that she did not participate in the Surrealist and other avant-garde art movement groups. Nevertheless, we believe it is very important to examine Okanoue's works in the context of Surrealism. This is because the collages in Okanoue's works seem to embody the collage concepts of Louis Aragon and André Breton, respectively, when examined in the context of their theories of collage. First, we analyze Okoanoue's works from a figurative perspective to clarify their nature(Chapter 1), and then draw on Aragon's and Breton's theories of collage to examine the nature of Okanoue's works (Chapters 2 and 3). This will enable us to see the nature of Okanoue's collage works in the context of surrealism, both figuratively and theoretically. |
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| 出版者 | ||||||||||||||
| 出版者 | 文教大学 | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | jpn | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| 出版タイプ | ||||||||||||||
| 出版タイプ | VoR | |||||||||||||
| ID登録 | ||||||||||||||
| ID登録 | 10.15034/0002002475 | |||||||||||||
| ID登録タイプ | JaLC | |||||||||||||
| 収録物識別子 | ||||||||||||||
| 収録物識別子タイプ | PISSN | |||||||||||||
| 収録物識別子 | 09173072 | |||||||||||||
| 収録物識別子 | ||||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||||
| 収録物識別子 | AN10363700 | |||||||||||||
| 書誌情報 |
ja : 文教大学国際学部紀要 en : Journal of the Faculty of International Studies Bunkyo University 巻 36, 号 1, p. 79-88, ページ数 10, 発行日 2025-07-31 |
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