{"created":"2023-05-15T14:21:08.561146+00:00","id":2764,"links":{},"metadata":{"_buckets":{"deposit":"72b4fa80-aba9-4e4d-ba35-ac91d04f1051"},"_deposit":{"created_by":3,"id":"2764","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2764"},"status":"published"},"_oai":{"id":"oai:bunkyo.repo.nii.ac.jp:00002764","sets":["1:36:616"]},"author_link":["3629"],"item_5_biblio_info_13":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1996-11-01"},"bibliographicPageEnd":"69","bibliographicPageStart":"63","bibliographicVolumeNumber":"5","bibliographic_titles":[{"bibliographic_title":"教育研究所紀要"},{"bibliographic_title":"Bulletin of Institute of Educational Research"}]}]},"item_5_date_43":{"attribute_name":"作成日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2013-07-01"}]},"item_5_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本論文では川端文学における処女期の最も重要な作品・『伊豆の踊子』の創作背景、すなわち作者の孤児と愛などの実生活体験によって作品の成立までを調べたがそのうまく書き分けた人物、特に「踊子」の純情の美と清々しい生命感、および物語の語り手としての「私」がどのように川端自身の精神開放を実現したのかを論じた。最後に作品の「美」と「真」の巧みな融合という文学的意義をまとめたものである。","subitem_description_type":"Abstract"}]},"item_5_description_38":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09189122"}]},"item_5_text_39":{"attribute_name":"本文言語","attribute_value_mlt":[{"subitem_text_value":"日本語"}]},"item_5_text_42":{"attribute_name":"ID","attribute_value_mlt":[{"subitem_text_value":"BKK0002799"}]},"item_5_text_7":{"attribute_name":"Author","attribute_value_mlt":[{"subitem_text_value":"Mi, Hai-mei"}]},"item_5_text_8":{"attribute_name":"所属機関","attribute_value_mlt":[{"subitem_text_value":"文教大学教育研究所客員研究員"}]},"item_5_text_9":{"attribute_name":"Institution","attribute_value_mlt":[{"subitem_text_value":"Bunkyo University, Institute of Educational Research Guest Researcher"}]},"item_5_version_type_35":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"米, 海妹"}],"nameIdentifiers":[{}]}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"川端康成『伊豆の踊子』論","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"川端康成『伊豆の踊子』論"},{"subitem_title":"The Izu Dancer"}]},"item_type_id":"5","owner":"3","path":["616"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-07-25"},"publish_date":"2013-07-25","publish_status":"0","recid":"2764","relation_version_is_last":true,"title":["川端康成『伊豆の踊子』論"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-16T17:04:24.682668+00:00"}