@article{oai:bunkyo.repo.nii.ac.jp:00003588,
 author = {藤巻, 光浩 and 若林, 一平 and 椎野, 信雄 and 塩沢, 泰子},
 issue = {2},
 journal = {文教大学国際学部紀要, Journal of the Faculty of International Studies Bunkyo University},
 month = {2007-01-01, 2009-12-11},
 note = {This paper focuses on a series of postcolonial museums in China, Singapore, and Russia's Sakhalin. It attempts to theorize a perspective through which a museum could be brought to a fore as an object for critical inquiry. While a museum has been usually examined by a mundane and particular perspective, "transmission-reception model," within academic community, this paper holds a historical viewpoint by which a museum is subject to an integral constituent of nation-state and colonialism. Accordingly, this paper argues that a museum is saturated with syncretism in which its displays are not merely able to remain as such. The displays have to be scrutinized not as a static object, but as a performative vehicle for imminently posing within itself a possibility for social change.},
 pages = {69--81},
 title = {ポストコロニアル博物館から考える植民地主義の記憶 : 平和構築実践ネットワークに向けて},
 volume = {17},
 year = {}
}