{"created":"2023-05-15T14:22:02.143218+00:00","id":3872,"links":{},"metadata":{"_buckets":{"deposit":"9d1d826b-46dc-4301-965d-d9b5ac41bee1"},"_deposit":{"created_by":3,"id":"3872","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"3872"},"status":"published"},"_oai":{"id":"oai:bunkyo.repo.nii.ac.jp:00003872","sets":["1:27:206"]},"author_link":["4933"],"item_5_biblio_info_13":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1992-01-01"},"bibliographicPageEnd":"99","bibliographicPageStart":"89","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"文教大学国際学部紀要"},{"bibliographic_title":"Journal of the Faculty of International Studies Bunkyo University"}]}]},"item_5_date_43":{"attribute_name":"作成日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2012-01-18"}]},"item_5_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　This is a paper to understand the essential structure of the staging process of the performing arts from the view point of rhythm. Hitherto rhythm is usually thought a mere element of the art, but I think we should regard it as the body, especially as for performing arts. And I employed a new conception of rhythm from the field of biophysics, namely the rhythm of \"limit cycle\" to produce the living state of the organism.\n　What is the function-structure of the limit cycle and how it corresponds to the function-structure of the performing arts is the theme of the chapter I. Limit cycle is a system put between two different energy-environments, in which a kind of the magnetic field that unstable state with high potential energy is continually and dynamically reversed into stable state, is produced influenced by the energy difference of the two environments. In the performing arts, the two different environments are ordinary world and fictional world between which the audience are. So the most important thing is what is the \"energy\" in the performing arts. I concluded that it is novelty with sympathetic realty. I am sure we can suppose our limit cycle will be produced when the novelty constantly reaches a high level.\n　But the performing arts are not only being penetrated by the rhythm but also for realizing the transformation into both one to observe and one to perform. How to realize the transformation as limit cycle is the theme of the chapter II . In this case, the two environments are \"observe-position\" and \"perform-position\". Analyzing some examples, I extracted the fundamental factors or devices to realize the transformation, such as observance-observation device in the performer himself and the reversal device of the actings or actions to have audience expect something.","subitem_description_type":"Abstract"}]},"item_5_description_38":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09173072"}]},"item_5_text_39":{"attribute_name":"本文言語","attribute_value_mlt":[{"subitem_text_value":"日本語"}]},"item_5_text_42":{"attribute_name":"ID","attribute_value_mlt":[{"subitem_text_value":"BKSK020009"}]},"item_5_text_7":{"attribute_name":"Author","attribute_value_mlt":[{"subitem_text_value":"Takashi, Akinami"}]},"item_5_text_8":{"attribute_name":"所属機関","attribute_value_mlt":[{"subitem_text_value":"文教大学国際学部"}]},"item_5_text_9":{"attribute_name":"Institution","attribute_value_mlt":[{"subitem_text_value":"The Faculty of International Studies, Bunkyo University"}]},"item_5_version_type_35":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"高師, 昭南"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-24"}],"displaytype":"detail","filename":"BKSK020009.pdf","filesize":[{"value":"990.0 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"BKSK020009.pdf","url":"https://bunkyo.repo.nii.ac.jp/record/3872/files/BKSK020009.pdf"},"version_id":"49192ec5-cd23-4d1f-a5f5-7a59ebfcd556"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"上演芸術におけるリズムの問題","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"上演芸術におけるリズムの問題"},{"subitem_title":"The Potentiality of the Rhythm in the Performing Arts"}]},"item_type_id":"5","owner":"3","path":["206"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-01-18"},"publish_date":"2012-01-18","publish_status":"0","recid":"3872","relation_version_is_last":true,"title":["上演芸術におけるリズムの問題"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-15T17:32:42.546367+00:00"}