@article{oai:bunkyo.repo.nii.ac.jp:00000575,
 author = {田口, 和夫},
 journal = {言語と文化, Language and Culture},
 month = {2002-03-01, 2010-03-12},
 note = {元興寺 (飛鳥寺) の鬼は『日本霊異記』の道場法師の説話に登場して以来、有名な存在である。一方、元興寺の夜叉も『日本感霊録』・『今昔物語集』などに記録され、これも有名である。この二つは後に混同され、鬼に統一されて伝説化してゆく。その説話の延長上に「元興寺 (がごぜ) に噛ませよ」という諺や武悪面を使う狂言の演出が現れる。またその鬼と加賀前田家狂言〈鬼不切〉の創作の関係について述べる。
\nThe oni of Gango Temple (or Asuka Temple) was first recorded in a Buddhist priest's moral tale in the Nihon ryoiki, thereafter becoming famous in the history of Japanese literature. The yasha of Gango Temple, recorded in both the Nihon kanreiroku and Kojaku monogatari also became famous. Later the tales of the two were combined to form the legend of The Oni of Gango Temple. Usage of the proverb Gagoze ni kamaseyo his means If you don't stop crying, the boogie-men will get you appears in the performances of the kyogen plays Shimizu and Nukegara. (Note: 'Gagoze' is an alternative pronunciation of Gango Temple.) Furthermore, Oni kirazu, a kyogen play of the Kaga Maeda family created from the oni tale, is explored.},
 pages = {150--137},
 title = {元興寺の鬼と夜叉 : 説話と狂言の間},
 volume = {14},
 year = {}
}