@article{oai:bunkyo.repo.nii.ac.jp:00007327,
 author = {森本, 奈理 and モリモト, ナリ and Morimoto, Nari},
 journal = {言語文化研究科紀要, Bulletin of The Bunkyo University Graduate School of Language and Culture},
 month = {2016-03-16, 2018-12-21},
 note = {In this thesis, I am suggesting that Kurt Vonnegut’s Slaughterhouse-Five (1969) depicts the repetitious process of the re-creation of a Jesus Christ who parodies his predecessor in postmodernistic ways. Billy Pilgrim, the newly-born Jesus, has no connection whatever with the existing God and, therefore, all his actions come exclusively from his own “free will,” not from the destiny which He bestows on him. Since Billy has such an unlimited free will, he is able to perform the theory of “just war,” whose conception of “incombatant immunity” Billy depends on to criticize Dresden bombings and the Vietnam War, both conducted by U.S. military forces; Billy experienced the former in World War II and witnesses the latter “now,” when Vonnegut was writing Slaughterhouse-Five.},
 pages = {93--115},
 title = {カート・ヴォネガットの『スローターハウス・ファイブ』における自由意志と正戦論},
 volume = {2},
 year = {}
}