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日朝合作映画『バード』（1992）に見る統一言説とジェンダー：ナラティブ分析を中心に
https://doi.org/10.15034/00008005
https://doi.org/10.15034/00008005320d8386-ba99-41f9-bafc-c5025c768848
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
BKK0004245.pdf (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||||
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| 公開日 | 2022-08-10 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | 日朝合作映画『バード』（1992）に見る統一言説とジェンダー：ナラティブ分析を中心に | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | Narratives on Gender and Reunification of Koreas in Bird a Japanese-North Korean Co-production: Based on the Narrative Analysis | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | jpn | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| ID登録 | ||||||||||||||
| DOI | 10.15034/00008005 | |||||||||||||
| DOIタイプ | JaLC | |||||||||||||
| タイトル カナ | ||||||||||||||
| その他のタイトル | ニッチョウ ガッサク エイガ バード 1992 ニ ミル トウイツ ゲンセツ ト ジェンダー ナラティブ ブンセキ オ チュウシン ニ | |||||||||||||
| 著者 |
山下, 英愛
× 山下, 英愛
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| 著者 | ||||||||||||||
| 値 | Yamashita, Yeong-ae | |||||||||||||
| 所属機関 | ||||||||||||||
| 値 | 文教大学文学部 | |||||||||||||
| 内容記述 | ||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||
| 内容記述 | Bird （1992） is a Japanese-North Korean co-produced film funded by CINEMABEAM in Japan and produced by Art Film Production Studio in North Korea. The story is based on the true story of a real North Korean ornithologist, Won Hong-gu, and his son, Won Byeong-oh, who were separated by the Korean War. It depicts the irrationality of division and the desire for reunification of the two Koreas. Migratory birds freely crossing the sky are compared with the father Hong-gu and the son Byeong-oh who cannot meet or study birds together due to the Military Demarcation Line. This article first introduces the outline of the true story on which the film was based. It explores characteristics of the novel and the film narratives created from the story. Next, it examines how the narratives of knowledge succession and reunification are genderized in the film. The narrative on succession of ornithological research from father to son contains ideas of patriarchal order and ideas. In addition, the gender roles of father and son who devote themselves to ornithological research and of women （mother and daughter） who support the men constitute a narrative on reunification. Here, comparing it to the narrative of the novel, I emphasize the gender characteristics of the film. By analyzing the narratives of Bird, I demonstrate an aspect of the gender roles of North Korean society in the early 1990s. |
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| 書誌情報 |
言語と文化 en : Language and Culture 巻 34, p. 23-42, 発行日 2022-03-16 |
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| 出版者 | ||||||||||||||
| 出版者 | 文教大学 | |||||||||||||
| ISSN | ||||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||||
| 収録物識別子 | 09147977 | |||||||||||||
| 著者版フラグ | ||||||||||||||
| 出版タイプ | VoR | |||||||||||||
| 本文言語 | ||||||||||||||
| 値 | 日本語 | |||||||||||||
| ID | ||||||||||||||
| 値 | BKK0004245 | |||||||||||||
| 作成日 | ||||||||||||||
| 日付 | 2022-08-10 | |||||||||||||
