{"created":"2023-05-15T14:19:27.600979+00:00","id":808,"links":{},"metadata":{"_buckets":{"deposit":"ef941b5f-3264-4e0d-933a-917e7d3e6f85"},"_deposit":{"created_by":3,"id":"808","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"808"},"status":"published"},"_oai":{"id":"oai:bunkyo.repo.nii.ac.jp:00000808","sets":["1:20:77"]},"author_link":["242"],"item_5_biblio_info_13":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1998-12-01"},"bibliographicPageEnd":"165","bibliographicPageStart":"155","bibliographicVolumeNumber":"32","bibliographic_titles":[{"bibliographic_title":"教育学部紀要"},{"bibliographic_title":"Annual Report of the Faculty of Education"}]}]},"item_5_date_43":{"attribute_name":"作成日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2011-02-14"}]},"item_5_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"作家の内的なイメージは、作品中にシンボルとして表現される。故に作品の中にあらわれたシンボルは、作者の内的なイメージを見る人に伝える働きを持っている。しかし、そのイメージの伝達は、作者の内的なイメージが社会・文化を背景として、どの程度普遍性を持っているかによって変わってくる。そこで小論では、M.C.エッシャー(Maurits Cornelis Escher)とシュールリアリストの作品を例に挙げ、造形作品に於けるイメージとシンボルの関係について明らかにしたい。","subitem_description_type":"Abstract"}]},"item_5_description_38":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"03882144"}]},"item_5_text_39":{"attribute_name":"本文言語","attribute_value_mlt":[{"subitem_text_value":"日本語"}]},"item_5_text_42":{"attribute_name":"ID","attribute_value_mlt":[{"subitem_text_value":"BKK0000898"}]},"item_5_text_7":{"attribute_name":"Author","attribute_value_mlt":[{"subitem_text_value":"Kubomura, Risei"}]},"item_5_text_8":{"attribute_name":"所属機関","attribute_value_mlt":[{"subitem_text_value":"文教大学教育学部（非常勤助手）"}]},"item_5_text_9":{"attribute_name":"Institution","attribute_value_mlt":[{"subitem_text_value":"Bunkyo University Faculty of Education"}]},"item_5_version_type_35":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorAffiliations":[{"affiliationNameIdentifiers":[{"affiliationNameIdentifier":""}],"affiliationNames":[{}]}],"creatorNames":[{"creatorName":"久保村, 里正"},{"creatorName":"クボムラ, リセイ"},{"creatorName":"Kubomura, Risei"}],"familyNames":[{},{},{}],"givenNames":[{},{},{}],"nameIdentifiers":[{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-22"}],"displaytype":"detail","filename":"BKK0000898.pdf","filesize":[{"value":"5.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"BKK0000898.pdf","url":"https://bunkyo.repo.nii.ac.jp/record/808/files/BKK0000898.pdf"},"version_id":"fd9c3b85-3e13-42a6-a58e-daba0168c627"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"錯視"},{"subitem_subject":"エッシャー"},{"subitem_subject":"基礎造形"},{"subitem_subject":"トリックアート"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"造形に於けるシンボルとイメージ : 反エッシャー考として","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"造形に於けるシンボルとイメージ : 反エッシャー考として"},{"subitem_title":"A Study of the Symbol and the Image in Art and Design - A Refutation to a Study of M.C.Escher"}]},"item_type_id":"5","owner":"3","path":["77"],"pubdate":{"attribute_name":"公開日","attribute_value":"2011-02-28"},"publish_date":"2011-02-28","publish_status":"0","recid":"808","relation_version_is_last":true,"title":["造形に於けるシンボルとイメージ : 反エッシャー考として"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2024-03-07T08:13:53.824942+00:00"}