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The Conflict Between Human And Devil : centering around “Devils On The Doorstep”
https://bunkyo.repo.nii.ac.jp/records/2000123
https://bunkyo.repo.nii.ac.jp/records/2000123c0529358-31e6-4b2f-8f49-d1d6dffb1826
名前 / ファイル | ライセンス | アクション |
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BKK0004500.pdf (963 KB)
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Item type | J_その他(1) | |||||||||||
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公開日 | 2024-04-12 | |||||||||||
タイトル | ||||||||||||
タイトル | 人与鬼的纠葛 : 论电影《鬼子来了》的内外 | |||||||||||
言語 | zh-cn | |||||||||||
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タイトル | The Conflict Between Human And Devil : centering around “Devils On The Doorstep” | |||||||||||
言語 | en | |||||||||||
作成者 |
王, 俊文
× 王, 俊文
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内容記述 | ||||||||||||
内容記述タイプ | Abstract | |||||||||||
内容記述 | This paper discusses the seemingly false question of the possibility of Sino-Japanese communication by examining the different points of analysis of the film Devils on the Doorstep, as well as the photographic diary written by Teruyuki Kagawa, a Japanese actor who plays an important role in the film, and introducing the viewpoints of Taijun Takeda and Yoshimi Takeuchi. This problem is intertwined with the conflict of “human” and “devil”. The director of the film, Jiang Wen, jumps out of the fixed composition of “human” and “devil”, the perpetrator and the victimized, and thinks deeply about this issue from the perspective of “judgment”, prompting us to reflect on how to get rid of the“ devils” in our hearts, not to become the “devils” of others, and communicate with others as “human” with the spirit of reflection | |||||||||||
言語 | en | |||||||||||
出版者 | ||||||||||||
出版者 | 文教大学 | |||||||||||
言語 | ja | |||||||||||
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出版者 | Bunkyo University | |||||||||||
言語 | en | |||||||||||
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言語 | zho | |||||||||||
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資源タイプ識別子 | http://purl.org/coar/resource_type/c_18ws | |||||||||||
資源タイプ | research report | |||||||||||
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出版タイプ | VoR | |||||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
収録物識別子 | ||||||||||||
収録物識別子タイプ | ISSN | |||||||||||
収録物識別子 | 09147977 | |||||||||||
書誌情報 |
ja : 言語と文化 en : Language and Culture 巻 36, p. 177-191, ページ数 15, 発行日 2024-03-16 |